From
'Sesame Street' to the stage
BY DANIEL CHANG THE MIAMI
HERALD Posted
on Sat, Jun. 24, 2006
Big Bird confides in her. Elmo cuddles up to her.
Oscar the Grouch can't seem to stay angry around
her.
As
the patient and motherly Maria Figueroa Rodriguez
on the iconic children's television series Sesame
Street for the past 34 years, Sonia Manzano has
inspired the imaginations of countless preschoolers.
But
when she sought inspiration for her first book,
No Dogs Allowed (Simon & Schuster, $15.95),
Manzano reached into her own childhood growing up
in the South Bronx during the late 1950s and '60s.
As
part of a Puerto Rican clan that grew whenever a
new family member arrived from the island, Manzano
says she often felt different from her peers.
She
never saw people who looked like her on television
programs like Leave It to Beaver and Father Knows
Best. And even the food her family packed for picnics
differed from the other kids' meals: They ate peanut
butter and jelly sandwiches; she had rice, beans
and roast pork.
Manzano
came to appreciate the differences, though, and
she looks back fondly now on the childhood that
informed No Dogs Allowed, a book that should be
familiar to South Florida readers. It was the 2004
selection for ''One Picture Book, One Community,''
a community-wide literacy initiative for children
and their families.
Now
Manzano has adapted No Dogs Allowed into a children's
musical that premiered June 17 in the Actors' Playhouse
at Miracle Theatre in Coral Gables. The musical
runs through July 29.
Writing
a musical was a first for Manzano -- and a reluctant
one at that.
''There's
a million people in New York with a musical in their
back pocket,'' she says, ''and I wasn't about to
join them looking for a theater.''
But
Manzano's production had a better shot at the stage
than the average musical -- not just because of
her celebrity but also because of a series of serendipitous
events that began last summer.
Bob
Holtzman, a Miami publicist who represented the
Actors' Playhouse, had run into Manzano, an old
college friend, at a Miami Children's Hospital Pediatric
Hall of Fame function.
As
the pair caught up, Holtzman asked if she had ever
thought of turning the book into a musical and Manzano
said she had not.
So
Holtzman arranged a lunch for Manzano with Barbara
Stein, executive producing director of the Actors'
Playhouse, and Earl Maulding, children's theater
director.
The
meeting went well enough, Stein says, and ''we asked
her if we could commission her work. . . . Her celebrity
adds a lot of recognition and credibility to what
we're doing here.''
Manzano
agreed and partnered on the project with composer
Stephen Lawrence, who writes music for Sesame Street,
and lyricist Billy Aronson, who worked on the Broadway
musical, Rent.
The
musical, like the book, draws on Manzano's memories
of weekend family outings to the lake and all the
ritual preparation that went into them: the women
waking predawn to cook food for the picnic; the
men making last-minute car repairs to ready for
the 100-mile roundtrip -- only to have the cars
routinely break down; the children feeling giddy
in anticipation . . . then growing impatient on
the long drive.
But
the musical has a slight plot twist that, Manzano
says, lends the story enough tension to carry the
audience through the hour-long production.
The
plot twist involves the family dog, but you'll have
to see it to learn the rest.
Manzano,
who will continue in the role of Maria when Sesame
Street starts its 37th season in August, does not
appear in the play. Maybe it's just as well.
She
says children don't recognize her as much as they
used to anymore. Part of the reason is that the
children's television landscape is much more crowded
today than when Sesame Street debuted in 1969.
''I'm
competing with . . . 50 billion puppets and Dora
[the Explorer, of cable TV children's network Nickelodeon],''
she says.
But
the adults who grew up watching Sesame Street still
get emotional when they encounter Manzano, who is
a youthful 56.
''When
I appear at various places at events,'' she says,
'people, usually in their 30s, will come up to me
and go, 'Oh!' more than their kids. They'll say,
'I feel so emotional. I had no idea I was going
to feel so emotional when I met you.' It's because
they watched Sesame Street when we were the only
show.''
Despite
Sesame Street's waning influence on young minds,
Manzano has not tired of playing the part of Maria.
In
fact, she relishes the role for allowing her to
bring to television something that was lacking during
her childhood: ethnic diversity.
''I
used to watch a lot of television when I was a little
kid,'' she says, ''and I used to wonder, how come
there's no people who look like me? Or who live
in a neighborhood like the one I live in?
''As
an adult I can tell you that if a kid doesn't see
themselves represented in society, they don't know
what they're going to grow up to be. . . . And so
I had to satisfy myself going to Mexican movies
that my mother used to take me to. . . . I used
to try to be Mexican because those were the beautiful
girls I saw in the movies.
'I
think it's wonderful that I ended up being on a
show to remedy what used to bother me as a little
girl. Because when they hired me they said, 'We
want you. We want all the Spanish kids to relate
to you and see you as one of them.' ''